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  • Thomas, WV: The Town the Arts (Re) Built

    April 16, 2019 |

    The Daily Yonder |

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    800-1500 Words

    Response Location: United States, Thomas, West Virginia

    Renewing distressed economies can be done through reinvesting in arts and culture. By building successful partnerships with rural Community Development Financial Institutions (CDFIs) like the Woodlands Community Lenders (WCL), the town of Thomas, West Virginia, has found a new identity as a hub of arts and culture after the collapse of its coal-based economy.

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  • This Website Empowers People in Need to Make Art — And Sell It for Thousands of Dollars

    April 16, 2019 |

    NationSwell |

    Text |

    Under 800 Words

    Response Location: United States, Boston, Massachusetts

    For individuals who are homeless or otherwise disadvantaged, art can be more than therapeutic—it can be lucrative. ArtLifting, a public benefit corporation started in Boston, MA, specializes in helping homeless and disabled artists sell their art. Business including Staples and Microsoft have bought art for their offices. ArtLifting splits the profits with artists and also funds art programs.

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  • Arts center in city's poorest neighborhood teaches culture and salvation

    March 31, 2019 |

    The Philadelphia Inquirer (Philadelphia Media Network) |

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    800-1500 Words

    Response Location: United States, Philadelphia, Pennsylvania

    Art encourages resilience by helping kids in difficult neighborhoods cope with trauma. In the neighborhood of Fairhill, in Philadelphia, Taller Tuertorriqueño, a community arts center, offers art workshops and programs that emphasize the community’s connection to Puerto Rican culture. By supporting and bringing resources to the community, Taller Tuertorriqueño helps youth express themselves and manage the stress of their environment.

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  • Manifest Destiny Yields to Indigenous Artistry in a City-Owned Seattle Art Gallery

    March 25, 2019 |

    Next City |

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    800-1500 Words

    Response Location: United States, Seattle, Washington

    Publicly-owned galleries can provide an open, inclusive space for both artists and the community. In Seattle, the Office of Arts and Culture renovated the disused third floor of the King Street Station, turning it into an accessible and public-facing gallery space. ARTS at King Street Station hosted its first exhibition, the Yəhaw̓ exhibit, which included 200 artists representing over 100 indigenous tribes.

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  • Border Wall Trumped by Art and Community

    February 28, 2019 |

    Yes! Magazine |

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    800-1500 Words

    Response Location: Mexico, Agua Prieta, Sonora

    Artistic collaboration transcends political barriers and can foster a transnational identity. On the US-Mexico border, initiatives like the Dreams Across Borders project, initiated by the Mexican Consulate, and the Border Arts Corridor express the shared identity of Agua Prieta, Mexico, and Douglas, Arizona. Public events staged on the border of the two towns include art walks and cross-border concerts staged with the cooperation of US Border Patrol.

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  • Female Artists Challenge Vietnam's Gender Stereotypes

    February 27, 2019 |

    OZY |

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    800-1500 Words

    Response Location: Vietnam

    Art empowers women by providing a basis for new public discourse. In Vietnam, a group of artists use their exhibitions to introduce discussions on topics such as breastfeeding, menstruation, and sexual rights. In the strictly conservative country, avoiding censorship involves holding alternate exhibitions, outside of state-funded institutions such as museums and galleries. By participating in international collaborations, privately funded events, and exhibitions in cafes, artists have been addressing questions of social taboos and fostering discourse surrounding gender norms.

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  • Art for the Aging

    February 27, 2019 |

    The Philadelphia Citizen |

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    800-1500 Words

    Response Location: United States, Portland, Oregon

    Producing art has a positive influence on the health of senior citizens. In addition to promoting the work of artists aged sixty and above in galleries and exhibitions, the Geezer Galley in Portland, Oregon, leads art therapy sessions at senior living facilities. With studies showing a positive correlation between artistic expression and overall cognitive health, the Geezer Gallery’s partnership with state healthcare and university health research institutions provides a model for other cities to empower their seniors to produce art.

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  • In Chicago, Science and Industry Also Means Art and Creativity

    February 22, 2019 |

    Next City |

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    800-1500 Words

    Response Location: United States, Chicago, Illinois

    Art inspires innovation. At the Museum of Science and Industry in Chicago, the annual Black Creativity festival focuses both on championing the voices of African-American artists, innovators, and community leaders, and on inspiring creativity, ingenuity, and innovation in youth. Through hands-on learning aimed at promoting design-thinking, workshops such as the Innovation Studio at Black Creativity show the importance of bridging STEM and art education.

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  • The Hijabi Monologues: The young Muslims in Britain using the arts to reclaim their culture

    February 05, 2019 |

    The National |

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    800-1500 Words

    Response Location: United Kingdom, London, England

    Story-telling, poetry, and other performance art helps to bridge cultural divides and allows individuals to present more nuanced representations of their communities. Thanks to a grant from the Said Foundation, the Hijabi Monologues are working both to combat stereotypes and to increase access to the arts for Muslims. The Foundation partners with festivals and provides opportunities for Muslim artists and storytellers to reach new audiences and build bridges with other communities.

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  • This Woman Is Using Her Platform To Uplift Black Artists

    January 16, 2019 |

    Essence |

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    800-1500 Words

    Response Location: United States, Memphis, Tennessee

    Creating new platforms allows underrepresented and often "tokenized" artists to drive their own narrative. To address the lack of representation of Black artists in legacy institutions, an art nonprofit in Memphis, The Collective (CLTV), empowers Black artists by creating an organization that reflects the community at large. In addition to grants and stipends, the CLTV relies on support from the community and donors to remain financially independent.

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